MDA ART WH Why This Camera Sony FX30 vs. Blackmagic Cinema Camera 6K I’ve carried both kinds of cameras into the kind of situations where the brochure stops mattering: sidewalk interviews in mixed sodium…
SCI MDA ART WH Why This Camera Fujifilm X-T5 vs. Sony A6700 I’ve carried both flavors of camera into the kinds of situations where you don’t get a redo: bad light, fast action, cranky weather, and an…
ART WH Why This Camera Sony A7 IV vs. Canon EOS R6 Mark II I’ve carried both the Sony A7 IV and the Canon EOS R6 Mark II on assignments where the camera isn’t a hobby object — it’s a tool you’re…
WH Why This Camera Panasonic Lumix S5 II vs. Sony A7 IV I’ve carried both the Panasonic Lumix S5 II and the Sony A7 IV into the kind of situations where you don’t get a redo: bad light, fast…
WH Why This Camera Sony A7 III vs. Sony A7 IV I’ve carried both the Sony A7 III and the Sony A7 IV into the kind of situations where you don’t get a redo: breaking news at night, rain…
ART WH Why This Camera Why you should never use “auto” mode for night photography. Listen, I’ve spent the better part of the last fifteen years hauling Pelican cases through muddy back-alleys in Southeast Asia and standing…