Miss Universe 2025 — National Costume RDC

Why Dorcas Dienda’s Wings Reactivated an Ancient Matricial Memory

(Translated from the original French article)

CREDIT : @dorcas_dienda / Miss Universe DRC Team

I was genuinely struck by Dorcas Dienda’s performance during the National Costume segment of Miss Universe 2025.

Not only by her beauty — which is radiant and undeniable — nor simply by the craftsmanship of the costume.

What moved me was something deeper.

A vibration.

A memory.

A field.

So in this article, as an artist, editorialist, and woman-oracle aligned with the Kongo Matricial Frequency (with a K), I want to offer a symbolic and energetic decoding of what many have felt without fully understanding.

Some people have already asked online:

• “Why the wings?”
• “Is this Egyptian? Is it esoteric?”
• “What is the connection with the RDC?”
• “Is this sorcery?”

Others confused the wings with Fally Ipupa or Roman imagery.

Others dismissed them as “foreign symbolism.”

And many simply felt something… without words to name it.

Today, I want to bring the words.

This symbol is not only Egyptian — it is older.

It is pre-Egyptian. Proto-matricial.

And deeply Kongo.

When I refer to Kongo, I am not speaking in an ethnic or tribal sense.

I speak of Kongo as an energetic signature :

the oldest matricial frequency of Central Africa, the feminine principle, the womb-current, the ancestral blueprint that shaped a large part of the African spiritual field.

Historically, spiritually and symbolically, the Kongo matrix predates and nourished many later civilizations, including elements that would appear in ancient Egypt.

So when people see “Egyptian wings,” they are actually looking at a much older code.

And Dorcas carries this code naturally.

Why Dorcas wears the wings so well

Because this is not about aesthetics.

It is about embodied frequency.

Dorcas expresses:

• a feminine essence with no trace of forced masculinity
• a softness that is not naïveté but matricial intelligence
• a circular energy, not aggressive, not performative
• a presence that radiates rather than dominates

This is rare today.

We live in an era where the feminine has often had to produce testosterone to survive.

Women are pushed toward hyper-performance, hardness, self-defense, and constant overexposure.

The Kongo feminine archetype, on the other hand, is something else:

a deep softness, reserved power, elegance, intuitive authority — not noisy, not forced, not violent.

Dorcas embodies this naturally.

That is why the wings don’t look “added” on her — they look like they belong to her.

Why many RDC women resonate with this symbol

Because this archetype is deeply rooted in the feminine history of the RDC

not only among the Bakongo (though Dorcas is also connected to them),

but across many provinces and groups.

The RDC’s feminine collective carries:

• the circular hip-movement in dances
• the sensuality without vulgarity
• the elegance without harshness
• the dignity without arrogance
• the maternal radiance without victimhood

This is also why RDC dances contain this particular waist language — the circularity, the fluidity, the softness, the womb intelligence.

It is the same matricial current.

Dorcas activated this memory on stage.

Why these wings appear now

Because the world is hungry for new feminine models.

Not the “alpha-warrior” stereotype.

Not the hypersexualized mask either.

But a feminine that breathes again.

The Kongo Matricial Feminine reappears whenever the collective is ready to see a different form of power:

• one that protects rather than attacks
• one that nourishes rather than conquers
• one that radiates rather than competes
• one that heals rather than dominates

Dorcas arrived with exactly this energy — at the exact moment the world needed to see it.

This article is an introduction.

The full MANIFESTO is coming.

In the manifesto, I will explore:

• the feminine Kongo archetype
• its influence across the RDC
• its spiritual and historical roots
• its presence in dance, movement, posture
• its significance for African women today
• and why this frequency is returning now

This article is just the first spark.

CREDIT : MMZBE — Kongo Frequency (Logo)

Scan to discover Kongo Frequency and the matricial work behind this analysis

By MMZBE

(Founder of Kongo Frequency)