Depression Cherry — Beach House
#SocialDistancingSoundtrack Day 21
Depression Cherry — Beach House
SocialDistancingSoundtrack Day 21

“There’s a place I want to take you”
In a discography of gorgeous shoegaze-inspired indie rock, Depression Cherry is one of Beach House’s most meditative works. It’s a sea of fuzzy guitars and muted drums, narrated by swooning vocals that never break its dense atmosphere. The melodies are warm, landing closer to folk than contemporaries like My Bloody Valentine. The drums, likewise, are organic but tightly processed. Muted percussive found sound — the clink of a glass, a lightly tapped bell — play surprisingly large rhythmic roles.
On the heavenly Space Song, a quiet drum machine loop only reveals itself for a moment before merging with brushed top drums for added warmth. The track is a velvet ballad punctuated by distant synths and a guitar hook that glides like a shooting star.
“Fall back into place”
Clockwork arpeggios glint through that song and others, like the nearly spoken word PPP. Its soft waltz sets the stage for a classic love story soaked in reverb and sustained guitar. Its descending hook melody carries the listener through its ebbs and flows, only expanding to its climax at the end of its five minute runtime. These songs can feel like warped memories of big ideas once brushed aside. On Sparks, a looped vocal fragment sprouts into a lush soundscape.
“From the spine, rising through the mind
You give it up, just like a spark”
Melancholy reigns throughout the album, but optimism always glows through the cracks. The chord progressions smile weakly, but nonetheless smile. On Beyond Love, warm keys melt to form a backdrop to a drifting, pensive guitar melody. Wildflower treads a similar path with vaguely 80s drums and synths playing an ode to an uncertain head lost in thought.
“You know you’re not losing your mind
What’s left, you make something of it
Sky, what’s left above it?”
Depression Cherry is a soundtrack to the intimacy of moments. These songs are tense, but fleeting; they’re cathartic in their ability to convey emotion with minimal elements and then flicker away before overthinking. The resulting soundscape feels like the seconds just before a first kiss: full of nervous energy and bold restraint all at once.
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