More On Pre-visualization In Photography
When you notice a photographer’s work, it’s probably because they have great vision. And I don’t mean that in a 20/20 sort of way. What I…
More On Pre-visualization In Photography

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When you notice a photographer’s work, it’s probably because they have great vision. And I don’t mean that in a 20/20 sort of way. What I mean is they probably have the ability to look at something and see an opportunity to make a photograph where others see nothing.
I have that gift to a degree, although not as strongly as I wish I had it. You can learn and train it. You can exercise it. I have done all of that. But to a certain degree you have to be born with at least a little bit of it. Unfortunately, in my case it was a very small bit :)
Regardless of my skill or lack thereof, I have always tried to see the final image I plan to make before I ever press the shutter on the camera. This is my preferred style of photography. I don’t like to merely react. I want to be deliberate and thoughtful and contemplative and I want to make sure I am telling a story with each photo — even if I am the only person who gets the story — I still want to tell that story.
I take it for granted that I “SEE” that way. My assistant doesn’t have that gift. When she saw the picture of my set (See above), she said “how’s that gonna work?”
She saw a 3D printed background, a diorama, a toy and some colored lights.
What I saw, was a Tie Fighter pilot getting ready to embark (or disembark) the space craft, which was parked in a hanger deck on some far-flung star system nobody has ever heard of.
Since so many photos of space are bleak and black I decided to make this one colorful because — well I can.
I used the Lume Cube Panel Pro lights — which can be controlled from a smart phone, and dialed in this combination of colors. I started with just red but then in my mind’s eye I saw blue, purple, red and green. I combined all those to make this final image.
After I photographed the fighter, I photographed the pilot in the same light. I composited him on top of the hanger shot and shrunk him to scale. Then I went into BorisFX 2022 (Save 20% off Boris FX Optics, go to https://bit.ly/3CtYWwt and enter my special coupon code on checkout: bourne-optics) and did some finishing work.

The best thing about this photo for me is it came out exactly the way I saw it in my mind despite what the behind the scenes photo shows. That is a thrill for me. Being able to SEE is so important. As David duChemin says, “Gear is good, vision is better.”
For a list of my toy photo gear and props go to: bit.ly/toyphotogear
Remember, toys are joy.
P. S. Follow me on VERO and I’ll follow you back.
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