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A Foggy Tale 大濛

Ally Weng · 2026-01-13 09:05 · 0 claps · 1.8 min read
#movies #movie-review #taiwan228 #taiwanese #taiwanese-movies
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Wiki topics: 🎬 · Film & Television

🇹🇼 A Foggy Tale 大濛

Movie 「Da Meng」approaches the historical trauma of Taiwan 228 Incident with remarkable restraint. Rather than relying on melodrama or explicit moral judgment, the film adopts a quiet, almost detached narrative style that allows history to linger subtly in the background. Violence and fear are not always shown directly; instead, they are felt through silences, hesitations, and the weight of unspoken consequences. This refusal to dramatize pain makes the emotional impact more enduring and unsettling.

The characters in Da Meng are ordinary people, not heroes or clear-cut victims. Their choices are shaped by uncertainty, self-preservation, and confusion rather than ideological clarity. By portraying these figures without judgment, the film emphasizes how historical trauma operates not only through grand events but through small, everyday decisions. The past becomes something lived rather than remembered, embedded in gestures, routines, and omissions.

What makes Da Meng especially powerful is its use of ambiguity. The “fog” suggested by the title feels both literal and metaphorical, representing blurred truths, fragmented memories, and moral gray zones. The film trusts the audience to sit with discomfort instead of offering emotional release or narrative closure. In doing so, it resists turning history into spectacle.

Ultimately, Da Meng is not a film that demands sympathy; it invites understanding. Its understated approach honors the complexity of the 228 background, reminding viewers that historical wounds do not always scream – they often persist quietly, shaping lives long after the moment has passed.

「大濛」以二二八為歷史背景,刻意避開煽情與控訴式敘事,選擇一種冷靜,節制的視角看創傷。電影不急著交代立場,也不試圖替角色下結論,讓歷史如霧氣般瀰漫在日常生活之中,影響人們的選擇與沉默。這種處理方式讓情感更深沉,觀眾必須主動感受,而非被引導流淚。片中角色多半平凡而內斂,他們恐懼、遲疑與妥協並不戲劇化,卻真實令人不安。

「大濛」描繪的不是英雄或受害者單一形象,是被時代推擠的人,如何在模糊與不確定中生存。

電影的留白與節奏,讓歷史不再只是事件,而是一種長久滲入人心的狀態。

期待二二八不被消費,而是被溫柔理解❤️

昨天下午電影那廳只有8人不到。

電影背景始於嘉義,我爸老家,翁家籍貫(看看現任嘉義縣長的姓氏,並不奇怪☺️)二二八對嘉義,南臺灣老一輩的人來說,絕對是可怕的集體創傷,從小聽到大的各種殘忍故事,莫名其妙又非常黑暗。哭點極低的我,一路狂哭到最後 😭 哭到不止眼腫,根本哭到有點虛脫 😨 手機又因恍神而遺失 (今日已神奇尋回🙏)昨天心情就像重度血糖病患那樣,極高極低間劇烈的擺盪,非常疲憊,非常驚嚇,這幾天需要好好休息一下 😨🫣

大濛,獻給所有在228迷霧中一整個世代,及其後代 ❤️

228 #二二八 #大濛 #AFoggyTale


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