Field-Tested: Panasonic S1 II with 24–60 mm F2.8 Lens

by DL Byron on assignment for Imaging Resource

After comparing countless mirrorless systems, one thing is apparent. There are no perfect cameras. You might fantasize about combining Olympus-level ergonomics, Sony dynamic range and low‑light prowess, Fujifilm natural color science, and Sigma optical precision-but the step‑up market has closed many of these gaps. The flagship mirrorless bodies of today excel across ISO performance, autofocus speed, and video features. The real question is which blend of strengths best fits your workflow.

The Lumix S1 II and 24–60 lens launched today.

Panasonic S1 II First Glance Takeaways

The body and lens are weather sealed. You can’t shoot in a monsoon rain with just any camera.

• Professional Build: The magnesium alloy body feels rock‑solid and weather‑sealed. It is heavier than typical mirrorless but inspires confidence on rugged shoots.
• Ergo + Controls: The dial‑heavy layout is a throwback to pro DSLRs. Menus run deep-so assign frequently used functions to the Fn buttons early on.
• EVF & Screen: That 5.76 M‑dot viewfinder is bright, sharp, and usually lag‑free. The multi‑axis tilt touchscreen offers flexible shooting angles without compromising durability.
• IBIS Performance: The five‑axis stabilization delivers tack‑sharp frames handheld at 1/4 s or slower-ideal for low‑light or telephoto work.
• Autofocus: Phase Hybrid AF. It nails static subjects but hunts more than other AutoFocus systems.
• Video Features: 5.8K Open Gate at 60 p, 4K/30 p full‑frame oversampled, and an internal cooling fan. Pro‑level menus span nearly twenty pages before even touching stills settings.

The S1 II and 24–60 mm at Ironworks BBQ

In the Field: Austin Launch to Methow Valley

At the S1 II launch event in Austin, Texas, paired with the new 24–60 mm F2.8 zoom, I captured everything from sharp photo bursts (70 fps) to smooth event video. Back home in Methow Valley, the newly developed 24.1 MP partially stacked sensor rendered wildflower meadows and alpine vistas with vibrant colors and fine detail under the midday sun.

The lens proved as versatile as the subjects I shot. It kept pace with the autofocus and felt solid and premium in hand. As a first-time Lumix user, the system delivered the results I was hoping for. The 24–60 mm range balanced flexibility and portability, offering a compact, lightweight build without compromising performance. I tested the Hybrid Zoom feature at the skate park and again while filming the bats emerging from under the Congress Avenue Bridge. While the bat footage was not usable-it was too dark, and the bats were tiny-the digital zoom performed as advertised.

Liberty Bell at Washington Pass.

Alpine meadow of arrowleaf balsamroot.

When a monsoon‑like downpour landed, the durability and IBIS of the camera shone through. I hand‑held the S1 II for low‑light honky‑tonk concert stills and evening architectural shots across the street from my hotel-all without a tripod.

Honky‑tonk music ambiance.

The line to get in, nighttime energy.

Floors of emptiness.

6th Street photowalk during prom night.

Panasonic S1 II Workflow Tips

The S1 II menu labyrinth can overwhelm. I recommend:

1. Menu Mapping: Spend an hour mapping your top five functions (e.g., burst mode, af sensitivity, video resolution) to custom buttons.
2. Firmware Upgrade: Grab a huge update when it becomes available. If you choose the S1 II E version, you get Cinemascope and access to ARRI LUTs.
3. Tutorials: Watch setup guides on YouTube. Even seasoned shooters will pick up time‑saving tricks.

Headstock close‑up detail.

Once dialed in, the S1 II rewards you with rock‑solid reliability and pro‑grade output-if you are willing to learn its quirks.

Panasonic’s latest body and lens are avaiable for preorder now from B&H.

• S1 Mark II—$3197.99
• 24–60 f/2.8 zoom—$897.99

Final takeaway from the launch: Imaging Resource continues to be a trusted authority in camera reviews, and I’m honored to play a role in its resurgence.

More S1 II Images

Patience tested — she was waiting for her ride.

Coffee break at a local shop.

Panasonic’s Mathew Frazer, bathed in golden light

Old Fashions with Angel Envy bourbon.

Bang, bang your order is ready.

Originally published at https://www.imaging-resource.com on May 13, 2025.