ART HUM AI KA Kapil Srivastava Indian Raag Ahir Bhairav on Guitar — From Practice to Stage Performance At Guitarmonk, we believe that learning a raga is just the beginning. True mastery comes when a student is ready to take a raga to the…
MDA DSN KO Kovid Rathee · Khayaliya Ramashreya Jha’s Timeless Kirwani Scattered thoughts on some renditions of compositions in Kirwani
MDA AK Akhil Bharatiya Gandharva Mahavidylalaya Mandal The Art of Improvisation: Unveiling the Creative Freedom in Raag Performance Improvisation lies at the heart of Indian classical music, transforming each performance into a unique dialogue between the artist, the…
AI HUM MDA AS Ashwini Joshi Vocal instruments (notes)and percussion (rhythm) instruments I don’t know exactly what they are called in western classical music, but broadly I categorize instruments into vocal instruments (Swara…
HUM MDA SPR TCH AK Akhil Bharatiya Gandharva Mahavidylalaya Mandal A Comparative Study of Vocal and Instrumental Approaches in Raag Development Hindustani classical music offers a rich tapestry of expression, and at its heart lies the Raag — a melodic framework that guides the…
SPR SCI HUM LIF DE Deepanshu Giri Sound Healing- A Game Changer Shabd Bramh- In Hinduism, words are given importance as god as every word creates an energy in the universe, and these words decide your…
HUM MDA PA Parikshit Sanyal · Indian Rāgas 101 Indian raags 101: Arana Adana? আড়ানা? I prefer calling it Arana because that’s how I would pronounce it. And also because it exemplifies the fact that in spite of…